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Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday
Gertrude Ma Rainey, Bessie Smith, and Billie Holiday
By Angela Y. Davis
By Angela Y. Davis
Best Seller
Category: Music
Category: Music
Paperback $18.00
Jan 26, 1999 | ISBN 9780679771265
Ebook $10.99
Oct 05, 2011 | ISBN 9780307574442
Paperback $18.00
Jan 26, 1999 | ISBN 9780679771265
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$18.00
Jan 26, 1999 | ISBN 9780679771265
Buy from Other Retailers:
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Oct 05, 2011 | ISBN 9780307574442
Buy from Other Retailers:
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About Blues Legacies and Black Feminism
From one of this country’s most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.
The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith—published here in their entirety for the first time—Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
About Blues Legacies and Black Feminism
From one of this country’s most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.
The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
Also by Angela Y. Davis
See all books by Angela Y. Davis
Also by Angela Y. Davis
See all books by Angela Y. Davis
About Angela Y. Davis
Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She… More about Angela Y. Davis
About Angela Y. Davis
Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She… More about Angela Y. Davis
Product Details
Category: Music
Paperback | $18.00
Published by Vintage
Jan 26, 1999 | 464 Pages | 5-3/16 x 8 | ISBN 9780679771265
Category: Music
Ebook | $10.99
Published by Vintage
Oct 05, 2011 | 464 Pages | ISBN 9780307574442
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Table Of Contents
I.I Used to Be Your Sweet Mama:Ideology, Sexuality and Domesticity
II.Blame It On the Blues:Bessie Smith, “Ma” Rainey and the Politics of Blues Protest
III.Mama’s Got The Blues:Rivals, Girlfriends and Advisors
IV.Here Come My Train:Traveling Themes in Ma Rainey’s Blues
V.Preaching the Blues:Spirituality and Self-Consciousness
VI.Up In Harlem Every Saturday Night:Blues and the Black Aesthetic
VII.When A Woman Loves A Man:Social Implications of Billie Holiday’s Love Songs
VIII.Strange Fruit:Music and Social Consciousness
Lyrics to Songs Recorded by Gertrude “Ma” Rainey
Lyrics to Songs Recorded by Bessie Smith
Notes
Works Consulted
Index
Permissions Acknowledgments
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Blues Legacies and Black Feminism
Category: Music
Category: Music
Blues Legacies and Black Feminism
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Jan 26, 1999 | ISBN 9780679771265
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